My apologies for the recent lack of a formal Anthropology Friday–I just haven’t found much worth sharing lately. Luckily my bad luck reversed with the discovery of Hofsinde Gray-Wolf’s series of books about Native American culture.
According to the University of Southern Mississippi’s de Grummond Children’s Literature Project:
Robert Hofsinde was born in Denmark in 1902 and came to the United States twenty years later… On a painting trip in the north woods of Minnesota, Hofsinde came upon a young Ojibwa (Chippewa) Indian boy who had fallen into a pit trap and severely broken his leg. Hofsinde rescued the boy, set his leg, and carried him back to his village on a sled. In gratitude, the boy’s family adopted Hofsinde and gave him the name Gray-Wolf.
Time spent with the Ojibwa Indians changed the direction of Hofsinde’s career. He began to sketch the Indians and became so interested in their culture that for three years he stayed with the Ojibwa people. Over the next decade Hofsinde visited and studied Indian villages throughout the West and Southwest, painting and writing magazine articles about Indian culture. In the 1940s he and his wife Geraldine (whose Indian name was Morning-Star) began performing an Indian lore program for school children around the nation.
In the mid-1940s Hofsinde took his drawings to Morrow Junior Books, hoping to become a book illustrator. An editor suggested he write a book to supplement his own illustrations. The result was the well-received The Indian’s Secret World (1955). Hofsinde followed up with Indian Sign Language, and eventually wrote and illustrated thirteen more books over the next twenty year… Hofsinde died in 1973.
I doubt Hofsinde ever thought of himself as an anthropologist, but this is obviously no strike against him. The 40s and 50s were the golden age of American interest in everything Indian, and Hofsinde’s books are a pleasant example of the genre. I only regret that I only purchased a few of the books from the set in the shop, and now the rest are gone.
These are children’s books, but still informative. Today we’ll be looking at his Indian Fishing and Camping. Amazon provides a useful summary:
Only in our wilderness areas can we still see the country as the Indian saw it. Most of us find romance in this idea, but few of us know how to carry it out. In this book Robert Hofsinde tells us how we can fish and camp as the Indians did and how we can make the gear that they used. The Indians learned to make their fishing equipment from the natural materials they found around them. They obtained cordage from roots, fibers, and the inner bark of trees. Mr. Hofsinde shows how the Pacific Coast Indians fashioned their fish traps out of this cordage and describes the many ways other Indian groups put it to use. He also includes a chapter on Eskimo ice fishing, clear directions for making such equipment as hooks, spears, and spinners, and instructions for cleaning and cooking one’s catch. Exact, lovely illustrations by the author increase the usefulness of this book. It will add to the pleasure and safety of the modern camper and to the knowledge of anyone interested in Indian lore.
As usual, I will be using “” instead of blockquotes for the parts quoted from Hofsinde.
“In the treeless arctic the winters are long and the summers are so short that even the hardiest berries often fail to ripen fully. The rivers and inlets, even large portions of the sea, are frozen over during nine months of the year. Even so, fishing provided much of the Eskimo’s food. He caught trout, whitefish, and salmon through holes cut in the ice and through the natural cracks that formed int he ice close to shore. Such fishing called for a great deal of skill and patience. When the fish ran in plenty, it did not take a man long to catch more than he needed. On day when the fish had taken to deeper waters, the fisherman often tried one hole after another and, at the end of the day, arrived home with only one or two small fish, or even with none at all.”
EvX: I am reminded here of the descriptions in Ingold’s Hunters, Pastoralists, and Ranchers of the variability of reindeer hunting economies–some years the hunters can kill a whole herd of migrating deer and so in one day provide for their needs for for many months, and some years the hunters miss the herd by a few miles, resulting in famine.
“Fishing through the ice also had its elements of danger, especially when it was done far from shore. A sudden change of wind or a sudden rise in temperature might cause large ice floes to break away. If this happened while a fisherman was intent upon his work, it was not uncommon for him to drift out into open water, and no one ever saw him again. …
“To protect himself from [the icy winds] at his fishing hole, the Eskimo at times put up a shelter. Such a shelter was usually nothing more than a large animal hide hung over a tripod made from driftwood. In addition to sheltering him a little, it also gave him a dark interior, which helped him to see deeper into the water. …
“Sheltered or not, the ice fisherman still has a two-handed job. He must hold his line and lure in one hand and the spear in his other. At the moment the fish comes to the lure, he must strike fast and spear it. This is the thrill of the game.
“The Eskimo used an entirely different type of fishing gear from that of other Indians. …
“The Eskimo usually made his fishing rod from a piece of driftwood fourteen inches long. Whittled into a flat shape, it had a deep notch cut into each end. At one end the fishing line was fastened. When not in use, the line was wound around the rod lengthwise, with the notches holding it in place.
“The fishline was made of whale bone. This type of bone did not come from the skeleton of the whale, but from the flexible, comb-like baleen strip, which is the food strainer found in the mouth of the toothless blue whale and the right whale. The baleen was split into very fine strands, which never kinked. When ice formed on the wet line, a quick shake snapped it off.
“On the free end of the line the Eskimo tied a small jigger, or lure, crafted from a piece of bone or ivory. These pieces usually represented very small fish or, most often, shrimp. …
“The scoop net was very important. With it the Eskimo fisherman scooped loose pieces of ice out of his fishing hole. It was also used to keep the hole open, for in the cold air new ice formed rapidly over the open water. The net, too, was made from baleen strips. The hoop from which the net hung was formed from a sliver of moose antler that had been boiled in water until pliable and then bent into shape. …
“In the winter these scoops were carried everywhere by the villagers, and although they had been designed for one purpose originally, the Eskimo boys invented a new use for them. They became quite expert at picking up a scoopful of snow and throwing it with a great deal of force and accuracy at any a chosen target.
“An equally useful article was the spear… When a fish was attracted to the lure dangling just below the water line, the Eskimo struck down quickly with the poised spear. This quick thrust impaled the fish on the center prong. …
“The Eskimos ice fished with a single baited copper hook or with a four-pronged ivory jigger. These were the earliest, pre-European fishhooks, and they were made without barbs from copper found on the surface of the ground or in veins in the earth. An Eskimo bent up a thin piece of copper to form a hook, which was a little at the bottom than at the top. …
“A barbless hook was necessary in the arctic. In that cold climate a fish froze slid almost the instant it was brought out of the water. When an Eskimo caught a fish on his barbless hook, he could dislodge it with a deft jerk without removing his mittens, so his hands remained perfectly dry.
“The Eskimo also never touched his wet fishline, even when he pulled it in. Holding the short fishing rod in one hand and his ice scoop in the other, he lifted part of the line with the scoop, the next part with the rod. He alternated between the scoop and the rod, cisscrossing, until he had wound up the entire line and had pulled the fish out of the hole onto the ice.
“One fish the Eskimos caught in warmer weather was the salmon. During the summer, when the salmon migration was on and they passed through the shallow arctic streams to spawn, the Eskimo fishermen blocked their way with large boulders. As the fish darted about in an effort to reach open water, they walked among them and speared them by the hundreds.”
On the more general subject of camping:
“The Indians were camping long before the Europeans came to America. Some of them had permanent villages. Others, such a the Plains Indians, moved their camps as they followed the buffalo The woodland Indians made their camps throughout the forest, as they gathered berries and maple sap or went fishing. These early camps were not like the vacation camps we know today, but were places where work had to be done constantly. Canoes needed patching, a new paddle was required, buckskin clothing had to be mended, and other seemingly endless tasks had to be performed.
“Camping was still hard work when Lewis and Clark and the men of their expedition explored the West from 1804 to 1806. Night after night, wherever the end of of the day found them, they set up camp, checked over their equipment, cooked their rations, and slept–often in a pouring rain. Shelters and sleeping bags were unknown. They had no portable stoves or lanterns. In fact, each man’s gear was held to a minimum.
“The Canadian voyageurs also camped at night along their watery highways. We can be sure that they slept well, for according to some of their old journals, their day started at 2:30 in the morning and ended at 8:00 in the evening, with only a rest now and again for ‘a pipe.'”
EvX: According to Wikipedia:
The voyageurs were French Canadians who engaged in the transporting of furs by canoe during the fur trade years. Voyageur is a French word, meaning “traveler”. The emblematic meaning of the term applies to places (New France, including the Pays d’en Haut and the Pays des Illinois) and times (primarily in the 18th and early 19th centuries) where transportation of materials was mainly over long distances. This major and challenging task of the fur trading business was done by canoe and largely by French Canadians. The term in its fur trade context also applied, at a lesser extent, to other fur trading activities. Being a voyageur also included being a part of a licensed, organized effort, one of the distinctions that set them apart from the coureurs des bois. …
The voyageurs were regarded as legendary, especially in French Canada. They were heroes celebrated in folklore and music. For reasons of promised celebrity status and wealth, this position was very coveted. James H. Baker was once told by an unnamed retired voyageur:
“I could carry, paddle, walk and sing with any man I ever saw. I have been twenty-four years a canoe man, and forty-one years in service; no portage was ever too long for me, fifty songs could I sing. I have saved the lives of ten voyageurs, have had twelve wives and six running dogs. I spent all of my money in pleasure. Were I young again, I would spend my life the same way over. There is no life so happy as a voyageur’s life! ”
Despite the fame surrounding the voyageur, their life was one of toil and not nearly as glorious as folk tales make it out to be. For example, they had to be able to carry two 90-pound (41 kg) bundles of fur over portage. Some carried up to four or five, and there is a report of a voyageur carrying seven for half of a mile. Hernias were common and frequently caused death. Most voyageurs would start working when they were twenty two and they would continue working until they were in their sixties. They never made enough money to consider an early retirement from what was a physically grueling lifestyle. …
Music was a part of everyday life for the voyageur. Voyageurs sang songs while paddling and working, as well as during other activities and festivities. Many who travelled with the voyageurs recorded their impressions from hearing the voyageurs sing, and that singing was a significant part of their routine. But few wrote down the words or the music. As a result, records of voyageur songs tend to be skewed towards those that were also popular elsewhere in Canada. Examples of Voyageur songs include “À la claire fontaine” (a favorite), “Alouette“, “En roulant ma boule“, “J’ai trop grand peur des loups“, and “Frit à l’huile“. Another such song is titled “C’est l’aviron qui nous mène”. It goes as follows:
M’en revenant de la joli’Rochelle, J’ai rencontré trois jolies demoiselles, C’est l’aviron qui nous mèn’, qui nous mont’
C’est l’aviron qui nous monte en haut.
To this day, school children learn this song as part of French Canadian culture. These songs served a dual purpose for the voyageurs. Not only would they be entertaining during long voyages but their rhythm would help synchronize their paddling. One fur trader, Edward Ermatinger, had the forethought to record some of these songs. This is how eleven voyageurs songs came to be known today. Ermatinger travelled for the Hudson’s Bay Company from 1818 to 1828 as a clerk and learned these songs firsthand. These came to light only in 1943 when the Ermatinger family archives provided them to the Public Archives of Canada so that they may be copied. …
La Chasse-galerie, also known as “The Bewitched Canoe” or “The Flying Canoe,” is a popular French-Canadian tale of voyageurs who make a deal with the devil in order to visit their sweethearts during the night, who are located a long distance away. It is a variant of the Wild Hunt. Its most famous version was written by Honoré Beaugrand (1848–1906). It was published in The Century Magazine in August 1892. More recently, the Quebec brewery Unibroue has incorporated a version of the legend into the name and artwork of its highly respected strong ale, Maudite (“Damned”).
EvX: It annoys me when people claim that back in the fifties, books/media about Indians were just a mish-mash of stereotypes without respect for the differences of individual tribes. They talk about fifties books/media as though it were all terrible and insulting, with no regard for the quality works nor the value of popular interest in Indian cultures. Today the whole idea of reading about and being interested in Indians is deprecated. I think this attitude does more harm than good, because people are much more likely to protect and care about people they’re interested in than people they hardly ever hear about.