There are three categories of supersars who seem to attract excessive female interest. The first is actors, who of course are selected for being abnormally attractive and put into romantic and exciting narratives that our brains subconsciously interpret as real. The second are sports stars and other athletes, whose ritualized combat and displays of strength obviously indicate their genetic “fitness” for siring and providing for children.
The third and strangest category is professional musicians, especially rock stars.
I understand why people want to pass athletic abilities on to their children, but what is the evolutionary importance of musical talent? Does music tap into some deep, fundamental instinct like a bird’s attraction to the courtship song of its mate? And if so, why?
There’s no denying the importance of music to American courtship rituals–not only do people visit bars, clubs, and concerts where music is being played in order to meet potential partners, but they also display musical tastes on dating profiles in order to meet musically-like-minded people.
Of all the traits to look for in a mate, why rate musical taste so highly? And why do some people describe their taste as, “Anything but rap,” or “Anything but country”?
At least when I was a teen, musical taste was an important part of one’s “identity.” There were goths and punks, indie scene kids and the aforementioned rap and country fans.
Is there actually any correlation between musical taste and personality? Do people who like slow jazz get along with other slow jazz fans better than fans of classical Indian? Or is this all compounded by different ethnic groups identifying with specific musical styles?
Obviously country correlates with Amerikaner ancestry; rap with African American. I’m not sure what ancestry is biggest fans of Die Antwoord. Heavy Metal is popular in Finno-Scandia. Rock ‘n Roll got its start in the African American community as “Race Music” and became popular with white audiences after Elvis Presley took up the guitar.
While Europe has a long and lovely musical heritage, it’s indisputable that African Americans have contributed tremendously to American musical innovation.
Here are two excerpts on the subject of music and dance in African societies:
Both of these h/t HBD Chick and my apologies in advance if I got the sources reversed.
One of the major HBD theories holds that the three races vary–on average–in the distribution of certain traits, such as age of first tooth eruption or intensity of an infant’s response to a tissue placed over its face. Sub-Saharan Africans and Asians are considered two extremes in this distribution, with whites somewhere in between.
If traditional African dancing involves more variety in rhythmic expression than traditional European, does traditional Asian dance involve less? I really know very little about traditional Asian music or dance of any kind, but I would not be surprised to see some kind of continuum affected by whether a society traditionally practiced arranged marriages. Where people chose their own mates, it seems like they display a preference for athletic or musically talented mates (“sexy” mates;) when parents chose mates, they seem to prefer hard-working, devout, “good providers.”
Even in traditional European and American society, where parents played more of a role in courtship than they do today, music still played a major part. Young women, if their families could afford it, learned to play the piano or other instruments in order to be “accomplished” and thus more attractive to higher-status men; young men and women often met and courted at musical events or dances organized by the adults.
It is undoubtedly true that music stirs the soul and speaks to the heart, but why?